Archive for January, 2010

Amid and a Song

Saturday, January 23rd, 2010

Sometimes you just forget what matters. And when you do, it feels like nothing ever did and nothing ever has. It’s this strange in-between, you lose all the energy to exert positive ideas into the world and sulk. I find there are many things that bring on my anxiety. Coursework, relationships, other drivers, my messy apartment—the fact that tomorrow could be either inexplicably amazing, or utterly terrible. The unknown. The unknown is worse than the negative and the positive is better than both, but very rare.

The reason I study writing is because when one studies writing, one is actually studying life. There is no way to become a successful writer (define success in your own way—success is relative) without being analytical, and always learning about subjects that don’t seem to overtly adhere to your path.

“You see a piece of paper on the ground?” he said, his accent boiling his r’s, “pick it up and read it. It does not matter what it’s about. Knowledge is knowledge.” Amid is bald on top with a dent in the back of his skull.

“I bet there’s a story behind that,” I said when he showed it to me.

“Well,” he said, looking at me grimly, “it was an infection.” He said it as if he was disappointed that it wasn’t something greater. “That is why I say ‘gain all your knowledge now.’ When you get older, the gears will not turn so well. Sometimes I cannot find the right…” he trailed off and looked out the window, held his head in his hands, then came back. “I cannot always find the right words, I just see one and grab it, but it is not always right.” I smiled at him. “I am good at bullshitting, no?”

“Very good,” I replied.

He chuckled. “At least you are honest.”

I see Amid often in the coffee shop, but this is the first time we’ve ever really spoken. I sat across from him at a table because the others were taken.

“You’re welcome to sit here,” he said to me, “but do not listen, you do not want my negative energy.”

“We can share,” I told him.

“You do not want to share with me,” he said, smiling, and looking out the window before taking a sip from his steaming cup.

“Okay,” I said to him, “noted.” And of course, he began to speak to me on life, the world, and summarized all the things that he wished he’d done and advised me to do.

“You will never regret reading. Ever.”

Amid often just sits in a chair, he rarely reads the newspaper or a book. Sometimes, very rarely, he speaks to another man in a foreign language I can’t place. Otherwise, he just sits and looks at the table, out the window, or into his coffee cup. He is brimming with regret.

When I forget what matters, I need perspective. Sometimes perspective costs me $10.50 at the movie theatre, sometimes it costs me a couple beers and a few shots of vodka, sometimes it costs me a full night’s rest—I never know what it will cost until I’ve gained it. I only understand a sense of perspective in retrospect.

When you’re lying at the bottom of a hole it’s impossible to see over the top of it, that, unfortunately, is the truth of the matter.

And here’s an instrumental I made a while ago with a guitar, an organ, a ukulele, and a few children’s percussion instruments: Nothing Really Happens When I’m Alone

Tangled

Thursday, January 21st, 2010

Some days I can’t get anything right. I feel as if I’m working on a car and I’m so far under the hood— tangled in the engine—that I can’t reach out to get the tools I need to fix it. I do my best to gain an understanding of the world around me, I test my understanding of it using my detailed observations and calculations, but the world always turns out to be incalculable.

I’ve been climbing this ladder, that’s all I really can do. Climb climb climb and, every once in a while, stop at a floor to look in a window. See how people are getting along. Hope to see some broken reflection of myself in glass meant to be looked through, not reflected upon.

Just when you think you know everything, realize you’re only being tricked. The point at which everything seems clear is the point just before your reality is overturned. It’s easy to be proud of how well you get through hard times, but it’s harder, for me at least, to be proud of the times when I got by and it wasn’t hard.

I had an amazing summer. I went on a road trip to California, I met so many new people; pretty much began a new life. But when you meet new people you inevitably lose others. To think we understand the purpose of someone’s relation to us is to claim to know more than anyone’s ever known. That’s probably why everyone gets divorced now. They all think they’re signing a contract to relieve their loneliness, only to find they’re signing up to spend years with someone they don’t even know.

I sometimes toy with the idea of just traveling. Backpacking through Europe, learning about the world and writing about its beauty. But it all comes back to that saying, Wherever you go, there you’ll be. I go through waves of content and discontent. Every time I feel a positive wave coming on I hope that this time it will stay. But I should never be so foolish.

Once, I met two amazing people at nearly the same time. These people were on opposite ends of the spectrum. One romantic, involved, clever, sincere, but almost wholly untouchable. The other receptive, playful, intelligent, and hungry for knowledge. Both beautiful. These people got along well enough, but by no means were best friends. I, however, managed to be best friends with both of them. I could connect with both of them unlike either of them were able to connect with each other. I wasn’t so much a bridge but a system of underground tunnels to both. Each of them often spoke of the other and I felt conflicted in their intentions. A game of tug of war it seemed. There was the first, she couldn’t hide a thing with her eyes. And the second, I fear could do it all too well. Neither of them was better than the other but they, as well as me, have at least one thing in common—we don’t know what the fuck we’re doing aside from making it alive and in bed every night. If we’re lucky we might even get some sleep.

Nothing Like an Earthquake to Sober a Solemn Mind

Wednesday, January 13th, 2010

This message was in my inbox last night:

Hi Everyone,
My Grandparents house has crumbled with them inside. I have lost my grandfather and my family is digging as we speak for my grandmother. Please pray for us.

This came from one of the friends I spent two weeks in Belize with this past summer. Much of her family resides in Haiti and has, as the message ominously dictates, been involuntarily given a lead role in one of Haiti’s worst natural disasters.

Yesterday a 7.0 earthquake struck Haiti. The Red Cross estimates 1/3 Haitians have been affected—roughly 3 million.

My problems seem pretty insignificant right now. I have a home, I have transportation, I have my family and friends.

Raymond Joseph, a Haitian ambassador to the US, said of the disaster, “God has given, God has taken away.” It’s difficult for me to comprehend being taken to such devastation and yet able to view the situation so rationally. Haiti has dealt with over 30 coups and countless hurricanes in its 200 some odd years of life. The history of Haiti, as with so much of the world, has been recorded in blood.

Today, if you wake up and don’t want to go to work because you can’t stand the person in the cubicle next to you, Google “Haiti.” You’ll be giving that same person a hug when you arrive. Sometimes, the best we can do from afar when disaster strikes, is live our own lives twice as purposefully.

Read more on the quake here.

God Only Knows

Saturday, January 9th, 2010

The Beach Boys on repeat becomes, for me, a method of coping. If Brian Wilson were forced to sing and re-sing for me his vocal cords would be dry and frayed like a violin bow without resin. The thing that kills me the most is how much we must all fake it. I’m faking it now. When they say, “get over it,” do they really mean, “forget it”? Is getting under it part of getting over it? What if God isn’t the only one who knows what I’d be?

Do you know what it’s like when you have a glass of orange juice, finish it, then neglect to wash the glass and refill it with apple juice? The acidic qualities of the orange juice, stray bits of pulp, they all come through with the apple and make a strange cocktail. That’s how I envision lovers upon lovers in a lifetime. The next becoming more and more of a cocktail with bitter—and sweet—remains of the lover before. The final being nowhere near as pure as the first. Or maybe nowhere near as pure as the third, or fourth. Perhaps after the first couple I still retained the energy to wash the glass before pouring a new one. But my energy, I fear, is depleting. I’m on my way to drinking cocktail after cocktail.

This is the third time I’ve listened to Pet Sounds today, it’s 11:44, I’ve been awake something like four hours. Three times in four hours. A bow without resin. Powder flying, strings scratching, notes resound with impurity.

Adam ordered me a sandwich. That’s the kind of grace I need. Shantell smiled bigger than big, that’s the kind of grace I need. I slept on a cold pillow that smelled like someone else’s hair. I opened the window to hear the inconsistent drops of the gutter. A mountain of pillows laid beside me all night trying to breathe. A fan whistled a monotone tune it wished was a lullaby. Vodka nourished me. The blankets could be held tight but not tight enough.

I dreamt of grocery shopping, I think. I rolled and rolled, over and over. I dreamt, I think, of grocery shopping. The domestic kind, “Do we need this, honey?” That sort. “No, we’ve already got some.” You know the kind. “And what about this?” With the inevitable, “Well, is it on sale? We don’t really need it.” And the produce. Looking for the unbruised fruits but finding none. Settling, finally, for only the mildly bruised. Settling for the mildly bruised.

Here’s a secret. Sometimes I walk grocery stores late at night, early in the morning, mid-day. I don’t purchase a thing. I just walk down the aisles to see how much all the items wish I’d purchase them. I like the way their packages try to lure me in—they just want me so bad. Except the cheese, the cheese never tries too hard. It smells funny and is wrapped in clear plastic. But it doesn’t need to look nice, right? It’s cheese, it knows someone will buy it. Same with the milk. And the eggs. It’s only the packaged cereals, snacks, crackers, cookies—the things we don’t need that want me to buy them so badly. I think I dreamt of grocery shopping last night.

Let us quickly assess the state of my being:

Are you here?
Are you?
Are you breathing?
Slowly.
Did you sleep well?
Define well.
Who woke you up this morning?
Am I awake?
What time is it?
11:56
What day is it?
January 9, 2010

Anywhere but here would be nice,
But maybe what I mean is I quit,
Or maybe let’s fall and only sleep,
And let’s stop trying—
Only let come what may.
I mean, really, anywhere but here still
Has me me me
Perhaps I mean anywhere but here
Or there—nowhere.

Coco Avant Chanel

Friday, January 8th, 2010

Sorrow breeds empires. Midway through the film the unexpected happens, Coco falls in love with a man and wants, unbelievably, to marry him. Unfortunately, he’s marrying into money to a rich woman who’s the daughter of a coal magnate. And so Coco’s stubbornness vows never to marry anybody—a vow she holds her entire life. Many a lesson may be learned from Coco Avant Chanel (Coco Before Chanel), but a movie is beautiful not for the morals it projects, but for the way in which it projects them.

Audrey Tautou is impenetrable—even her eyes are actresses. There’s one scene where a line of models is walking down a staircase past Coco and her eyes scan each one up, down, analyzing every seam, every button, every frill. In the beginning of the film Audrey portrays a stubborn Coco, unwilling to love, unwilling to set aside her pride, protective of her sister and their sisterhood. She says to her sister in a scene where they share the same twin-sized bed (the portrait of poverty and orphan-hood), “The only good part of love is making love. Too bad you need a man for that.”

The cinematography is picturesque. More than once I found myself basking in the image laid out before me. The characters were completely silent yet the scene and the on-point acting of each of them meant that every static moment wasn’t necessarily a still moment.

Coco Avant Chanel

Coco seems to be convincing herself she’s not a gold digger throughout the course of the film but when a man of wealth springs up in the cabaret she works at, she jumps on the tail of his coat and follows him all the way to his country-side estate. She is controlled—somewhat—and abused—somewhat—but finds in this man a companion. He grows possessive of her and the audience is made to believe that Coco, in one way or another, is special from most every other girl in the world. Contrary to what you might expect, Coco criticizes nearly every fashion statement throughout the film, “Too many feathers, too tight, too many adornments,” etc. She sees the world of the high-class, in the film at least, as boring, frivolous, and absurd. But when she’s offered the chance to dive into it, she doesn’t deny it; she studies it. The camera takes the place of her eyes many times and we find ourselves studying the garb of nearly every woman in the film, not by choice, but out of our duty as viewers. And it’s entertaining, enticing.

Coco falls in love with a man who lends her money (money he gets from marrying a rich woman) so that she can open a hat shop. His marriage to another woman is the beginning of her misery. With this misery she finds the energy to work. One line she reads from a book in the film—and promptly denies as ridiculous—goes something like “the poor are happy because manual labor offers a distraction for the mind from suffering.” Though she denies it, she lives by it. She’s beginning to flourish as a designer, but doesn’t truly bloom until her lover is suddenly and unexpectedly killed in a car accident. The film shifts immediately from his death to her success. We see her cut, sew, design, and model through a gloriously sculpted montage. You can’t help but see her transition into the class she put down for most of the film and yet, to feel for her.

I’m no fashion guru and I’ve always had an initial disgust for the glam and glitter of designers. Coco Avant Chanel puts all that aside and says that even designers were people too, once.