Archive for the ‘poetry’ Category

God Only Knows

Saturday, January 9th, 2010

The Beach Boys on repeat becomes, for me, a method of coping. If Brian Wilson were forced to sing and re-sing for me his vocal cords would be dry and frayed like a violin bow without resin. The thing that kills me the most is how much we must all fake it. I’m faking it now. When they say, “get over it,” do they really mean, “forget it”? Is getting under it part of getting over it? What if God isn’t the only one who knows what I’d be?

Do you know what it’s like when you have a glass of orange juice, finish it, then neglect to wash the glass and refill it with apple juice? The acidic qualities of the orange juice, stray bits of pulp, they all come through with the apple and make a strange cocktail. That’s how I envision lovers upon lovers in a lifetime. The next becoming more and more of a cocktail with bitter—and sweet—remains of the lover before. The final being nowhere near as pure as the first. Or maybe nowhere near as pure as the third, or fourth. Perhaps after the first couple I still retained the energy to wash the glass before pouring a new one. But my energy, I fear, is depleting. I’m on my way to drinking cocktail after cocktail.

This is the third time I’ve listened to Pet Sounds today, it’s 11:44, I’ve been awake something like four hours. Three times in four hours. A bow without resin. Powder flying, strings scratching, notes resound with impurity.

Adam ordered me a sandwich. That’s the kind of grace I need. Shantell smiled bigger than big, that’s the kind of grace I need. I slept on a cold pillow that smelled like someone else’s hair. I opened the window to hear the inconsistent drops of the gutter. A mountain of pillows laid beside me all night trying to breathe. A fan whistled a monotone tune it wished was a lullaby. Vodka nourished me. The blankets could be held tight but not tight enough.

I dreamt of grocery shopping, I think. I rolled and rolled, over and over. I dreamt, I think, of grocery shopping. The domestic kind, “Do we need this, honey?” That sort. “No, we’ve already got some.” You know the kind. “And what about this?” With the inevitable, “Well, is it on sale? We don’t really need it.” And the produce. Looking for the unbruised fruits but finding none. Settling, finally, for only the mildly bruised. Settling for the mildly bruised.

Here’s a secret. Sometimes I walk grocery stores late at night, early in the morning, mid-day. I don’t purchase a thing. I just walk down the aisles to see how much all the items wish I’d purchase them. I like the way their packages try to lure me in—they just want me so bad. Except the cheese, the cheese never tries too hard. It smells funny and is wrapped in clear plastic. But it doesn’t need to look nice, right? It’s cheese, it knows someone will buy it. Same with the milk. And the eggs. It’s only the packaged cereals, snacks, crackers, cookies—the things we don’t need that want me to buy them so badly. I think I dreamt of grocery shopping last night.

Let us quickly assess the state of my being:

Are you here?
Are you?
Are you breathing?
Slowly.
Did you sleep well?
Define well.
Who woke you up this morning?
Am I awake?
What time is it?
11:56
What day is it?
January 9, 2010

Anywhere but here would be nice,
But maybe what I mean is I quit,
Or maybe let’s fall and only sleep,
And let’s stop trying—
Only let come what may.
I mean, really, anywhere but here still
Has me me me
Perhaps I mean anywhere but here
Or there—nowhere.

Not a Poem

Thursday, December 17th, 2009

I want
to write a poem,
but lack the creativity
at present
to do so.
As such, I’m writing
a paragraph on my
lack of current inspiration
with line-breaks that’s
parading
as
a
poem.

Poetry, Milkshakes, and an Amendment to the Film

Wednesday, December 2nd, 2009

Left right side to side
Eating letters with your mind
A bit smarter now

Like that, they break my fourth wall. They gaze directly into the camera and break the boundaries between observer and actor. My suspension of disbelief is now increasingly difficult to sustain. This is the feeling I get when people look at me and I’m not expecting it. I feel they are intruding upon my world of make believe. The director, I think, did not instruct you to do that. Cut!

And yet, suspiciously, despite my perception of the world, Erin says this of me:
“You’re one of the only people I know who’s actually living.”

At 11:26 pm I see a Denny’s. I turn the car into the parking lot and park by the front doors. A large neon sign is brightly lit in the night sky that says “24 Hours.” It pulls me in like a fly to be zapped. I sit at the bar and order an Oreo milkshake. I have this “dairy thing,” Karli calls it. In fact, she has so assertively coined it my “dairy fetish.” But I can’t argue otherwise. There’s something about yogurt, ice cream, milk, egg nog, cheese, pizza, and basically any other combination of dairy product that just soothes my innards. Milkshakes especially. I like to go to all-nite diners and order a milkshake and write. Many people might consider it an atypical place to derive inspiration, but they aren’t actually living.
Oreo milkshake

I know what Erin meant when she told me I was the only person she knows who is actually living. But really, it’s just that I love the general magnificence of things: an old man sipping black coffee; this is beautiful. His life, his history, whatever-the-fuck, it doesn’t matter. Right now he’s a faded grey man sipping coffee at Denny’s at a time when no one ought to be drinking coffee. His flannel shirt is wrinkled. This man is a mobile tableau, the Mona Lisa in real-life, in Lynnwood, WA, in po-dunk butt-fuck nowhere, in your chair now.

“You’re one of the only people I know who’s actually living.”

A photo of me clad in vest and trim pants, festive buttons pinned to my arms, dancing and singing with my guitar amongst a crowd of passersby evoked this response from Erin. I was living in the middle of the city, awake in a crowd of sleepwalkers. I digress; it’s not so much that I’m living and no one else is. I make movements and am aware of them as I make them, or at least I try to be. I consciously begin making the memory as I am simultaneously experiencing it. I guess this means I’m really living, but I’m no more alive than you.

Where do my interests begin to conflict? Am I both the director of this film, and an actor in it? I think this is the confusion I seek to reconcile. I’ve often tried to define myself on one end of the observer-participator spectrum, but maybe this spectrum is complete bullshit.

For that matter, who says I can’t be the director, screenwriter, actor, and composer of this film? No one? Good. I don’t anticipate simply living my life is likely to make me much money, but hey, it’s a start. And really, I’m no more alive than you.

Folk life picture